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YU Yuphoria COS 12.1 Official Update : YOG4PAS47N

Hi Everyone,


Wanted to share that 12.1 update for YUPHORIA will start rolling out from today.The update will be rolled out in phases over the coming two weeks with a host of enhanced features such as:

• Redesigned Launcher: App Drawer and Folders have been redesigned enhancing accessibility
• Smarter Screen: LiveDisplay intelligently adjusts your screen based on environmental conditions
• Calendar Together with Email: Enjoy the latest Boxer powered experience where you can seamlessly share your availability and schedule appointments
• Fresh AudioFX: The user interface has been updated for consistency across all devices
• More Playback support: Substantially increased support of codecs for video and audio playback

This update will also bring enhanced responsiveness, performance improvements and amazing thermal control to your YUPHORIA.

Software details:
Cyanogen OS version: 12.1
Android OS version: 5.1.1
Software version: YOG4PAS47N

https://youtu.be/zkRQxmK8Hfc

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Just Cause 3 : Review

We’ve always admired game franchises that are self-aware about what they offer and really lean into the aspects that make them stand out. Saints Row is a good example, as it started as little more than a GTAclone with some silly humor mixed in. As the series went on, it forged its own identity by focusing on the absurd elements instead of attempting to ride Rockstar’s coattails. Just Cause seems to be following a similar path. Its first entry had its fair share of exploding barrels and a limited amount of stunt opportunities, but the game was played relatively straight-faced compared to its sequel. With Just Cause 2, Avalanche clearly took note of which elements people enjoyed from the original and introduced a lot more of it. More stunts, even more egregious barrel placement, and an awesome grappling hook that can tether items together helped make it a far more entertaining game than its predecessor. Just Cause 3 is Avalanche’s opportunity to be the Saints Row: The Third of the series, leaning as far as possible into open-world sandbox insanity.

Most moments in the game look a lot like this.

My hopes for this outcome seemed to come true upon first assuming control ofRico Rodriguez in Just Cause 3. Right away, you’re surfing on the back of a giant cargo plane and armed with a rocket launcher with infinite ammo. Off to a good start. Within minutes of completing this first sequence, I was given two of the game’s biggest new additions - the enhanced tether and the wingsuit. Just Cause 3 doesn’t dabble and make you finish a bunch of crappy side missions to get to the cool stuff. The game patiently waits until you’re done firing infinite rockets at bad guys, and then immediately says “HEY HERE’S THIS COOL CRAP.”

That’s not to say that the game doesn’t reward you with fun upgrades as you progress. Throughout my 40+ hours with the game, I was earning new abilities, weapons, and vehicles at a steady clip by following the same basic gameplay format that was in Just Cause 2. As before, you gradually chip away at a tyrannical dictator’s grasp on an island nation by using your growing arsenal to liberate settlements. Avalanche seems to understand that narrative has never been Just Cause’s strong suit, as the cutscenes are brief affairs that involve someone telling you what to blow up. You’ll hear plenty of radio chatter about how evil General Di Ravello is, but his lack of screen time means you’ll see his image more often in the context of statues that you’re strapping C4 to or tethering to a helicopter.

The process of liberating the island is more streamlined this time around, omitting the chaos score gating from Just Cause 2 (you still have a chaos score, but it only appears to affect leaderboard rankings). Instead of any kind of currency system, weapons and vehicles are unlocked by completing missions. Once you’ve unlocked these items, they’re available at any time via the rebel drop option in your menu. With no chaos or currency in play, the only thing stopping you from calling in whatever you want, whenever you want is a cooldown timer.

Miniguns somehow feel modest in this game.

It doesn’t feel like there’s much consequence to anything, which is a welcome feeling in a game that primarily serves as a vehicle for wanton destruction. With no currency or XP, there’s no penalty for dying. If you die halfway through destroying an enemy settlement, you’ll respawn with all of your progress still intact (and your ammo fully restocked). If you unlock some goofy new weapon that you want to try out, go right ahead and use it to wreak havoc on the civilian population with no penalties whatsoever. Don’t worry about being stingy on the C4, either, as your supply is infinite from the very beginning for some damn reason.

Considering that the joy I get from Just Cause lies in blowing crap up in increasingly hilarious fashion, I welcomed this “just have a good time” approach. I rarely felt frustrated by unfair checkpoints or difficult encounters, and I never felt discouraged from experimenting with some stupid way to approach a situation.

My limited moments of frustration with Just Cause 3 usually revolved around wonky physics and grappling mechanics, with Rico (or his vehicles) occasionally getting caught up on geometry in awkward ways. This was particularly annoying when participating in one of the many side activities that involve racing a vehicle. Most of these are of the standard “race your car/motorcycle/boat/plane/wingsuit through the rings in under X time” variety, while one borrows from Speed and tasks you with keeping your miles per hour over a set limit as you deliver a bomb to a target. No matter which variety of racing side mission I played, I always worried about some dumb rock or pole throwing me off course or halting my progress to the point of restarting. Most of the side missions went off without a hitch, but a few courses have annoying X-factors that you can’t really prepare for. None of these side missions feel particularly unique (others include GTA-style rampages), outside of one that I enjoyed that involves tethering a magnet to your vehicle and delivering rare materials to a drop-off point. They’re all worth doing in the long haul, however, as your progress in side missions is what unlocks new features like nitrous boosts and additional tethers/explosives.

Moments like these are when Just Cause 3 really shines.

Tethering vehicles to each other or the environment was one of the funniest elements of Just Cause 2, and the enhanced tether in this entry really opens up the possibilities, You can now shoot out numerous tethers at once, and retract them at any time by holding the left trigger. This functionality is responsible for many of my favorite moments in the game, from causing fighter jets to crash into each other to launching a dead cow cartoonishly far off of a cliff.

It’s good that causing mayhem in Just Cause 3 feels so good, because that’s what you’ll be doing for essentially the entire game. Unlocking powerful late-game jets and helicopters is cool at first, but then you realize that they’re just another way to get from settlement to settlement to destroy the same fuel tanks, generators, towers, and satellite dishes that you see ad nauseam throughout the entire game. A couple of the game’s 25 story missions incorporate some nice setpiece moments, but the majority of them don’t do much to differentiate themselves from the typical “hey, blow this thing up” routine (one odd outlier involved nothing more than driving a truck filled with wine casks for about two minutes).

For a game that's almost wholly based around creating gigantic explosions at every turn, the PlayStation 4 version of the game has a difficult time keeping up when things get really chaotic. While liberating towns or destroying especially large items, the frame rate frequently dips dramatically. I never felt like I lost control over Rico or missed shots (thanks in part to the game's generous auto-aim), but it was disheartening to see these technical issues considering how smoothly the PC version ran even during the most explosive situations.

A one-note experience isn’t necessarily a bad thing when it delivers on that one thing exceptionally well. Just Cause 3 has occasional physics problems and a lack of variety, but it’s fantastic if you just want to drop into a world and immediately start blowing it up. Upon completion of the story, you can even “re-oppress” individual settlements purely for the purpose of blowing them up all over again. It’s hard to complain about the gameplay feeling samey considering I’ve spent over 40 hours in the game and I’m still looking forward to going back and taking out more settlements. Avalanche clearly knows what this game is all about, and you should too if you want to give it a shot. If you’re aware of the game’s limitations and you’re still eager to blow an open world straight to hell, few games do it better than Just Cause 3.

ASSASSIN CREED SYNDICATE : REVIEW

ASSASSIN CREED SYNDICATE 

More than anything, Assassin's Creed Syndicate feels like a long-needed course correction.

Last year's Assassin's Creed Unity was by most accounts the lowest point in the franchise thus far, at least as far as the main-line games are concerned. But that low point wasn't an anomaly; it was an inevitability on the downhill slope the series has been on since 2010's excellent Assassin's Creed: Brotherhood.

As the franchise has layered on new complexities and an increasingly baffling plot, it's failed to compensate in the other direction, to clean up issues that have been lingering as far back as the first game.

Syndicate finally changes that pattern. The open-world bloat that Assassin's Creed has been known for is trimmed considerably here, leading to a more streamlined experience. Meanwhile the core world design has improved as well, shifting away from the focus on realism in its virtual London and focusing instead on playability.ASSASSIN'S CREED SYNDICATE FEELS LIKE A LONG-NEEDED COURSE CORRECTION

Assassin's Creed Syndicate sees the history-jumping series moving to Industrial Revolution-era London. Twin assassins Jacob and Evie Frye have come to the city looking to interrupt the reign of Crawford Starrick, an evil Templar industrialist who gives out marching orders to the gangs running the city's streets.

As in previous Assassin's Creed games, there's a metafictional frame to this narrative: You take on the role of a character recruited by the Assassins of modern time to play through the memories of Jacob and Evie. But Syndicate strikes a perfect balance in making those segments add meaningful progress to the overarching plot of the series without overstaying their welcome — much needed for a story that's barely moved an inch since 2012's Assassin's Creed 3.



It's nice to see things happening again with that top layer of plot, but most of Syndicate's time is devoted to a chaotic caricature of 1860s London. Jacob and Evie gather a number of allies, both fictional (an awkward assassin named Henry Green) and historical (hilariously undercover police inspector Frederick Abberline, a ghost-obsessed Charles Dickens and more). The supporting cast is better than it's ever been, full of memorable characters and sharp, witty dialogue.

Part of the praise for the dialogue also goes to Evie and Jacob themselves. Jacob is the suave, sarcastic type whose arrogance causes him to fuck up a lot; Evie is a cooler head, whose collected approach allows her to keep a close eye on her primary goal while constantly cleaning up Jacob's messes. They play off of each other perfectly.

What about multiplayer and all that other junk?

For the first time in a main release in the series since 2010'sAssassin's Creed: Brotherhood, Syndicate features no multiplayer at all — neither the unique spin on competitive multiplayer nor the cooperative play that was added in Unity. While some might miss the company of other assassins, it seems clear that the game has benefited from a focus on developing and polishing the single-player experience.

In addition to a higher quality of design, Syndicate suffers much less from the bugs and glitches that plagued last year's Assassin's Creed. I ran into a couple of crashes and enemies spawning into weird places. In one case, I fell through the world. But there was nothing on the level of the nonstop problems that Unity had.

Also absent from Syndicate: the dozens of chests and bonus features that could only be unlocked via a second-screen app or joining the Assassin's Creed Initiates group. The game now features a single option in the menu to log in to a "Ubisoft Club" account and unlock a few extras, but it never pushes it on the player. And despite still having the ability to purchase in-game currency with real money, Syndicate never feels miserly. I finished the game with 80 percent completion in around 30 hours, and managed to hit max level, purchase all gang upgrades and do most of the crafting I wanted without ever even considering buying extra material with real money.

It's also notable that despite having an already announced paid downloadable add-on, Syndicate has plenty of meat on its bones. There's one particularly cool and lengthy segment I won't spoil that absolutely struck me as the kind of thing that Ubisoft would normally have tried to section out and sell as DLC. Hopefully this marks the beginning of a more outwardly consumer-friendly attitude for the series.

Syndicate also does a good job of letting you largely stick with whichever twin you prefer. In side missions, you can choose to play as Evie or Jacob, and aside from some very minor differences in the skills they unlock as they level up — Evie ends up just a little better at stealth, while Jacob has a tiny bit more survivability in fights — the two play nearly identically. Story missions force you into one role or another, but they're given about equal screen time, and the swapping made sense in the context of the twins' often opposing viewpoints on the correct path forward.

While discussing the story, I'd be remiss not to give special mention to antagonist Crawford Starrick, and Syndicate's general approach to villains. There are plenty of no-name assassination targets who get quietly taken out and forgotten over the course of Assassin's Creed Syndicate. But the game also spends a lot of time building up three or four of the main bad guys, especially Starrick, who perfectly embodies the Templars' superficial care for the greater good amid overtly homicidal actions.

Of course, Jacob and Evie have some homicidal tendencies of their own. As has become usual for Assassin's Creed, Syndicatetakes place in an open world where you take on specific missions, often choosing whether to approach using stealth or take a more action-oriented path.

While story missions are much longer and have much more unique objectives, the more generic and less exciting Assassin's Creed goals are relegated to side tasks that will free territory from Templar control. Assassin's Creed has featured territory control elements before, but they're handled particularly well in Syndicate. They're totally optional, and I found myself using them as a cooldown between more intense tasks.

The main assassination missions are where Syndicate really shines. They place you into larger-than-life settings — the Bank of England, the Tower of London, Lambeth Asylum, etc. — and provide you with a variety of potential ways to get close to and take out your target. If you want to run in and clumsily kill everyone in sight, Syndicate will allow it, in most cases. But you can play it more carefully, sneak around, find hidden entrances, knock out guards for disguises and more. There are also unique assassinations you can pull off in each of these main missions, if you're especially crafty.

My favorite unique assassination? When I pretended to be a corpse so that I could get wheeled in to kill an evil doctor giving a live medical lecture.

Both the story missions and the open-world activities work better than they otherwise would because of how smartly Syndicate's world is designed. With previous releases, it's often felt like the series prides itself on historical authenticity first and foremost, often to the detriment of the actual moveset and animations of the characters in the games. This came to a head inAssassin's Creed 3 and has persisted in every installment since, where the main characters constantly felt like they were tripping over things in the environment.Assassin's Creed Syndicate has cleaner streets and rooftops, more direct paths between areas, and a slightly simplified control layout that makes it easier to differentiate between when you're trying to move up a building or jump down to the street below.

Syndicate also benefits from the introduction of a fantastic new means of traversal: the grappling hook-esque rope launcher. The rope launcher works both vertically and horizontally, letting Jacob or Evie quickly scale to the top of a building or cross a wide street without touching the ground. While this clearly takes heavy inspiration from similar devices in other open-world games, it's a brilliant addition to the Assassin's Creed arsenal.


Despite all the upgrades and fixes in Assassin's Creed Syndicate, there are a few annoyances with the series' control scheme that haven't been ironed out yet. For example, the button mapped to interact with things in the environment is the same button that, when you hold down the left trigger, tells your assassin to free-run in a downward direction. I can't tell you how many times I tried to tap that button to open a chest and instead watched my chosen Frye hang precariously off a ledge or leap into a nearby body of water.

But unlike the last few Assassin's Creed games, these annoyances rarely if ever get in the way where it matters. I never found myself bumbling around the spaces in Syndicate — or, at least, when I did, I never felt like the game was at fault. Syndicate's environments maximize feeling like an unstoppable assassin and downplay the awkwardness that has consistently accompanied the franchise's complicated controls and animation.

WRAP UP:
SYNDICATE PUSHES BACK THE CRUFT THAT HAS COLLECTED AROUND ASSASSIN'S CREED FOR YEARS


That's really Assassin's Creed Syndicate's biggest triumph: It pushes back against the collected cruft of eight years of releases and spinoffs, an imposing accumulation of mechanics and lore and expectations. Syndicate doesn't get everything right. It doesn't solve all of the series' problems, and at this point, I'm not sure if any one game could. However, it's the first step in a uniformly positive direction that the franchise has taken in years.